Before the Master Project

My argument is that anything is art and is almost impossible not to make art, as long as it is in the right discourse. From a street performer to drinking gin in front of a camera, to placing excrement in a can.

Previously to the Master Project, I have being investigating in the concept of being, the fact of existing on a personal and social level and the way to occupy a specific position in the world, using the type of experience where the idea or the concept and the viewer’s involvement is not just the most important aspect of the work, but is what makes the work by creating a poetical conversation between the piece and the audience and producing therefore that necessary involvement for the piece in order to exists…

View Non ti fidare di me

…Approaching a confrontational attitude where I am challenging the meaning of art, I have been working with low quality videos, in order to keep a non-beautiful aesthetic of the piece and setting the paramethers in order to create a situation that is more intellectually challenging rather than visually.

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Sensation

Taken literally any work that stimulates the senses might cause a sensation within the person encountering it: auditory, visual, textural, and kinesthetic work act as stimuli to the senses, thus causing a sensation.

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Webcam Tracker

The aim of the project was to convey a series of ideas and concepts to the perceiver, involving the viewer in the creation of a visual poetry, in which the use of random video clips and their de-synchronised sound is creating something that is never the same but that belongs just to the individual as the performer.